Describes Lassus's move from the individual work of art to an exhaustive programme of research which he developed at his Centre de Recherche d'Ambiance; work is set squarely in the French tradition; the principle of 'retarded transition' where satyrs occupy the outer edge of a French garden and the peaceful deities reign in the centre; descriptions and critical look at several of Lassus's projects; comments on his 'tactile' and 'visual' scales.

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