Critical analysis of the whole project; too disparate to be an exhibition and for what it inadequately calls,public art, Lingwood aimed to shock; quote from the 10 point manifesto for "Art For Whom" exhibition in the Serpentine in '78 curated by Richard Cork; TSWA works nevertheless showed that the grammar of context had been learned since '78; however patterns arise that characterise the whole project as one of desuetude, redundancy and failed powers; the city is inscribed and the highest privilege accorded to the artists is to pick over the carcass.

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